10 Phantom Rooms on RSI 2: how rare Berlin synths shape the future of NKS

Beyond the meticulous sampling, what are the most significant features that you and the 10 Phantom Rooms team added to this Kontakt release to make it a tool for modern composers?

Our main goal was never to emulate those synths in a sampled instrument, but rather to capture as many multi-samples – including filter movements, feedback loops, etc. – as possible.

We also went the extra mile to resample that material again and again, through outboard gear like modular walls, stompboxes, vintage reverb machines, and more.

I think the huge pool of samples is a very strong foundation for this instrument. Then that’s being “multiplied” with the onboard features like layering or sequencing, for example.